We’ve recently been thinking a lot about the potentials of web archives here at the RAC. Last week, I attended the appropriately titled web archives WARCshop hosted by Penn State University, and, while the organizers focused on getting its participants hands-on experience working with web archives research tools, the lesson that I took away from it is that libraries and archivists still have a long way to go in fully supporting researchers working with web archives. Penn State invited a great group of librarians and archivists to learn, as well as Jefferson Bailey and Lori Donovan from Archive-It, Nick Ruest from York University, and Ian Milligan from Waterloo to help lead the workshop. I was personally very excited for the meeting because I think Nick and Ian have been doing some of the most exciting research in web archives for the past few years, and I always love hearing them talk. Continue reading
As I mentioned last month, we’re moving forward with Project Electron on two fronts: defining the process by which digital records are transferred to the Rockefeller Archive Center and selecting a solution to provide archival storage for those records once they are in our custody. Continue reading
Last week, I attended Maintainers II: Labor, Technology, and Social Orders, a conference at Stevens Institute of Technology, and presented a talk which attempted to make the case that folk music is maintenance work by looking at the songs and methodologies of Woody Guthrie. This was a followup to last year’s conference, which you may remember from my rave review. This year’s conference matched the first in terms of relevance and resonance, while opening up some new ground for me related to maintenance and archives. Continue reading
March was a busy month for the Project Electron team, with conference presentations at Code4Lib, attendance at LDCX, Born Digital Archiving eXchange and Personal Digital Archiving, and participation in the DACS Principles revision process. Despite this, we managed to make significant progress on Project Electron, specifically in developing requirements for archival storage as well as transfer of records from donor organizations to the Rockefeller Archive Center. Continue reading
Last week I attended three events held at Stanford University: LDCX, Born Digital Archiving eXchange (BDAX), and Personal Digital Archiving. There was a lot of digital archives talk at all of these events, and it was great to chat with folks who are also dealing with the issues I’m encountering in my work.
This past week, I was invited to attend a working meeting of seventeen archivists and information professionals facilitated by SAA’s Technical Subcommittee on Describing Archives: A Content Standard with the goal of drafting a new set of Principles for DACS. It was a week that was simultaneously draining and exhilarating, beginning with a blizzard that shut down most of the northeastern United States and ending with a draft of principles that repositions DACS as a standard that communicates professional values, and is also far more aligned with recent literature and theory regarding archival description. Continue reading
Hello! I’m Hillel Arnold, and with me are Bonnie Gordon, and Patrick Galligan. We’re the Digital Programs team from the Rockefeller Archive Center, an independent archive and research center located in Sleepy Hollow, NY (yes, it’s a real place). Our team’s role is to provide technical leadership and expertise to our organization across all function areas. That’s a link there to the text of this talk, which also includes links to a number of other things we’ll talk about that you can follow if you want. Continue reading
A few months ago, I wrote about selected digitization readings and how we were going to use them to overhaul our digitization workflows. We’re now a couple of months into our new digitization workflow, and things are starting to run smoothly, but during the process, we noticed that we wanted a better way to match our digitized files to their description without using semantic filenames or separate metadata sheets. Continue reading
As I wrote in my last update, since kicking off Project Electron in September 2016, we’ve been gathering information through conversations, surveys and a literature review, and then structuring that information into user stories and personas. In line with our “open by default” licensing principle, we’re making these design artifacts available with a CC0 license, which means you can take them and use them freely in your own local environments.